For immediate release · Fri 18 September 2026
THE AWAKENING — first film of the Break The System trilogy — sets a November 2026 release
Independent conspiracy thriller written by and starring Justin Tinto, with Peter Stormare · Alice Eve · Justin Tinto · Eddie Hall · Steven Berkoff · Julian Glover · with Matt Hookings and Kevin Spacey, launches alongside a free global audience movement.
LONDON, UNITED KINGDOM — THE AWAKENING, the opening film of a planned trilogy, will be released in November 2026. Written by and starring Justin Tinto and directed by Matt Routledge, the film is a conspiracy thriller, action and cultural curiosity built independently, filmed in the United Kingdom, and released directly to its audience.
THE AWAKENING takes place during a global pandemic following Jason and Rebecca who uncover a conspiracy to control the world after Jason's parents suddenly disappear. They attempt to expose the truth in a race against time to save humanity before it's too late. Awakening 1 is designed as a complete standalone feature, while also offering clear franchise potential.
The ensemble is led by Peter Stormare · Alice Eve · Justin Tinto · Eddie Hall · Steven Berkoff · Julian Glover · with Matt Hookings and Kevin Spacey. Behind the camera the film brings together director of photography László Bille, editor Chris Gill and special effects supervisor Graham Povey.
Against the odds Justin Tinto wrote, financed, produced, and starred in Awakening, sacrificing time, money, and security to bring a story to life that asks a dangerous question: "What if the world we were taught to believe… was never the truth?" This trilogy was not born inside a studio system. Ten years in the writing, self-financed, and made without a studio greenlight — the first film of three.
Trailer, stills, cast credits and the full electronic press kit are available at https://breakthesystem.world/epk. Anyone can join the free community at https://breakthesystem.world. Interview and screener requests go through the PR desk.
“I stopped waiting for permission. I wrote it, I financed it, I cast it, and now the audience gets it first — not a committee.”
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